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Pegwell Bay, Kent – a Recollection of October 5th 1858 is an oil-on-canvas painting by British artist William Dyce, depicting the landscape at Pegwell Bay, on the east coast of Kent. Considered a Pre-Raphaelite work, Dyce employs a mode of heightened realism and intricate detail to create a powerful landscape.
Israëls tries to capture the carefree atmosphere of the sunny day, with the summer wind, the warm light and the sound of the waves. Donkey riding on the beach was a popular pastime at the time. The painting reflects Israëls' preoccupation with the representation of sunlight. The subject seems almost coincidental.
The Beach at Sainte-Adresse is an 1867 oil-on-canvas painting by Claude Monet. Its first exhibition was in 1876 with favorable reactions. Its first exhibition was in 1876 with favorable reactions. It entered Jean-Baptiste Faure 's, a French singer and art collector, acquired it for his collection. [ 1 ]
The beach depicted here is probably not in the Channel Islands but near Dieppe, on the Normandy coast. The model was Aline Charigot , his then girlfriend, whom he married in 1890. [ 2 ] The arc of the sitter's dark eyebrows and saucily tilted nose in that pleasant, rosy-cheeked face are common to works by Renoir.
The Beach at Honfleur is an oil-on-canvas painting by French impressionist Claude Monet. The painting depicts a beach on the Côte de Grâce with sailboats, the hospital of Honfleur, and a lighthouse in the distance. In the foreground, a solitary figure in a blue smock stands on the beach.
Oil on canvas 61.5 x 80 cm Melbourne: National Gallery of Victoria: Sea beach in the fog [Wikidata] 1807 Oil on canvas 34.5 x 52 cm Vienna: Kunsthistorisches Museum: Cross in the Mountains: 1808 Oil on canvas 115 x 110 cm Chicago: Art Institute of Chicago [3] Portrait of an older man [Wikidata] 1808 to 1810 Oil on canvas 51.7 x 42.4 cm Hanover
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