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Kane, George (July 1950). "Reviews: A Commentary on the General Prologue to the Canterbury Tales". The Modern Language Review. 45 (3). Modern Humanities Research Association: 363–368. doi:10.2307/3718517. JSTOR 3718517. (subscription required) Hulbert, James R. (February 1949). "Reviews: A Commentary on the General Prologue to the Canterbury ...
The frame story of the poem, as set out in the 858 lines of Middle English which make up the General Prologue, is of a religious pilgrimage. The narrator, Geoffrey Chaucer, is in The Tabard Inn in Southwark, where he meets a group of 'sundry folk' who are all on the way to Canterbury, the site of the shrine of Saint Thomas Becket, a martyr reputed to have the power of healing the sinful.
The question of whether The Canterbury Tales is a finished work has not been answered to date. There are 84 manuscripts and four incunabula (printed before 1500) editions [4] of the work, which is more than for any other vernacular English literary text with the exception of Prick of Conscience.
Pasolini adapted the prologue of this tale in his film The Canterbury Tales. [35] Laura Betti plays the wife of Bath and Tom Baker plays her fifth husband. Zadie Smith adapted and updated the prologue and story for the Kiln Theatre in Kilburn in 2019 as The Wife of Willesden, a play which ran from November 2021 to January 2022. [35]
The Pardoner's confession is similar to that of the Wife of Bath in that there is a revelation of details buried within the prologue. Chaucer describes the Pardoner as an excellent speaker in his portrait of the character in the General Prologue to The Canterbury Tales, which inherently reflects the quality of the narrative attributed to him.
The Prologue to the Tale of Beryn begins upon the pilgrims’ arrival in Canterbury, where they lodge at the inn, “The Checker of the Hoop.” (1–12).While the company is dining at the inn, the Pardoner, disgusted with how the meal is served according to social hierarchy, leaves the fellowship to instead speak with the barmaid, Kit (13–22).
A full-length musical stage adaptation of The Canterbury Tales, composed of the Prologue, Epilogue, The Nun's Priest's Tale, and four other tales, was presented at the Phoenix Theatre, London on 21 March 1968, with music by Richard Hill & John Hawkins, lyrics by Nevill Coghill, and original concept, book, and direction by Martin Starkie.
"The Miller's Tale" (Middle English: The Milleres Tale) is the second of Geoffrey Chaucer's Canterbury Tales (1380s–1390s), told by the drunken miller Robin to "quite" (a Middle English term meaning requite or pay back, in both good and negative ways) "The Knight's Tale". The Miller's Prologue is the first "quite" that occurs in the tales.