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In the United States, "Regent Square" is the most common tune. [1] In the United Kingdom, however, the hymn came to be sung to the French carol tune "Iris" [3] (the same tune as that used for Les anges dans nos campagnes) after this setting was published in the Oxford Book of Carols. [1]
Regent Square (hymn tune), a hymn tune written by Henry Smart This page was last edited on 17 March 2021, at 08:34 (UTC). Text is available under the Creative ...
The tune Helmsley is usually attributed to Thomas Olivers, a Welsh Methodist preacher and hymn-writer. [5] Anecdotal stories about the tune's composition suggest Olivers heard the tune whistled in the street and derived his melody from that; the most likely source is an Irish concert song "Guardian angels, now protect me".
While originally an unaccompanied plainsong melody, the hymn is now commonly sung to either the tune of "Westminster Abbey", adapted from the final section of Henry Purcell's anthem "O God, Thou Art My God'" Z35; or the tune of "Regent Square", composed by Henry Smart. The texts of modern versions of the hymn vary substantially from Neale's ...
Harry Emerson Fosdick greatly admired "Regent Square", and wrote his own "God of Grace and God of Glory" specifically in the hope that it would be generally sung to that tune. He was horrified when, in 1935, The Methodist Hymnal instead set the lyrics to John Hughes ' " Cwm Rhondda ".
God is love, let Heav'n adore him − Hymn Tune, Twigworth (1964) God be in my head for SATB unaccompanied (1966) Benedictus es, Domine for SATB & Organ (1967) Preces and Responses for SATB unaccompanied (1967) Lord By Whose Breath All Souls and Seeds are Living - Hymn Tune, Erwin (publ. 1967) O Holy City seen of John − Hymn Tune, Sancta ...
He also composed organ music and piano solos such as the Festival March in C. [5] Many of his compositions are of the Victorian parlour music variety. He was a keen writer of high-Victorian hymns, and his hymn tune "Galilee" was widely printed and applied to several texts, although notably "Jesus Calls Us" by Cecil Frances Alexander. [14]
Variations on a Hymn Tune Op.20 (1962) Postlude (1962) Processional (1964) Chorale (Easter 1966) Invocations Op.35 (1967) Toccata Giocosa Op.36 No.2 (1967) Dedicated to Sir David Willcocks on the occasion of his Inauguration of the new organ at The Royal College of Organists, 7 October 1967; Jubilate Op.67, No.2 (1974) Dedicated to Michael Smythe
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