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A what-not is a piece of furniture derived from the French étagère which was exceedingly popular in England in the first three-quarters of the 19th century. It usually consists of slender uprights or pillars, supporting a series of shelves for holding china, ornaments, trifles, or " what nots ", hence the allusive name.
The minimalist design and woven seats were fast and easy to produce. Furniture built and used by the New Lebanon "believers" is exhibited in the Shaker Retiring Room at the Metropolitan Museum of Art in New York City, which originated from the North Family Shakers' 1818 First Dwelling House.
During the Dynastic Period, which began in around 3200 BCE, Egyptian art developed significantly, and this included furniture design. [14] Egyptian furniture was primarily constructed using wood, but other materials were sometimes used, such as leather, [15] and pieces were often adorned with gold, silver, ivory and ebony, for decoration. [15]
A bare room was considered to be in poor taste, so every surface was filled with objects that reflected the owner's interests and aspirations. The parlour was the most important room in a home and was the showcase for the homeowners where guests were entertained. The dining room was the second-most important room in the house.
It features ample space for entertaining—including four shelves, a wine bottle rack and a reversible drawer—so you have plenty of space to store your bottles, glasses, mixers and snacks.
Grand Neoclassical interior by Robert Adam, Syon House, London Details for Derby House in Grosvenor Square, an example of the Adam brothers' decorative designs. The Adam style (also called Adamesque or the Style of the Brothers Adam) is an 18th-century neoclassical style of interior design and architecture, as practised by Scottish architect William Adam and his sons, of whom Robert (1728 ...
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