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"Let Me Roll It" is a song by the British–American rock band Paul McCartney and Wings, released on their 1973 album Band on the Run. The song was also released as the B-side to " Jet " in early 1974, and has remained a staple of McCartney's live concerts since it was first released.
"Jet" was issued as a single in America on 28 January with "Mamunia" as the B-side, although "Let Me Roll It", which was the B-side of the UK release, replaced "Mamunia" on 15 February. [47] The single's success provided new impetus for the album, [ 48 ] [ 49 ] which hit number 2 in the UK at the end of March [ 50 ] and topped Billboard ' s ...
The single was backed with "Let Me Roll It" in Britain. ... Paul McCartney – lead vocals, guitar, bass guitar, drums, piano, electric piano;
A live album, Gotta Let This Hen Out!, was released at the end of that year.) Their popularity grew with the 1986 album Element of Light and they were subsequently signed to A&M Records in the U.S. [ 9 ] The album Globe of Frogs , released in 1988, further expanded their reach, as the single "Balloon Man" became a college radio and MTV hit, [ 9 ...
In addition to Garcia on guitar and vocals, the group included fellow Grateful Dead members Keith Godchaux on keyboards and Donna Jean Godchaux on vocals, along with John Kahn on bass and Ron Tutt on drums. [3] [4] Other albums recorded by this lineup are Don't Let Go, Garcia Live Volume Seven, and Garcia Live Volume 17.
In 2003, Benson also released Metarie, with his then band The Well Fed Boys, and which featured a cover of Paul McCartney's Let Me Roll It, which featured back-up vocals by Jack White. [3] [4] This was the first song written completely by another artist to be featured on a Benson release.
Alfa Anderson, a vocalist known for her work with the iconic 1970s disco band Chic, has died. She was 78. Niles Rodgers, founder of Chic, shared the news in an Instagram post on Dec. 17. “RIP ...
[39] [nb 2] "Arrow Through Me", a track more in keeping with McCartney's melodic pop style, [41] is a song written from the perspective of a rejected lover. [42] With a musical arrangement that eschews guitar backing for synthesizer, Fender Rhodes piano and horns, Benitez views it as "reminiscent of the techno-pop style of Stevie Wonder". [27]