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Acoustic Christmas Carols: Cowboy Christmas II is the twenty-second album by American singer-songwriter Michael Martin Murphey and his second album of Christmas music. Recorded at St. James Episcopal Church in Taos, New Mexico, the church Murphey attended at the time, the album consists of carols from the nineteenth century or earlier played on ...
In its original setting, the carol is a macaronic text of German and Latin dating from the Middle Ages. Subsequent translations into English, such as J. M. Neale's arrangement "Good Christian Men, Rejoice" have increased its popularity, and Robert Pearsall's 1837 macaronic translation is a mainstay of the Christmas Nine Lessons and Carols ...
This list of Christmas carols is organized by language of origin. Originally, a "Christmas carol" referred to a piece of vocal music in carol form whose lyrics centre on the theme of Christmas or the Christmas season. The difference between a Christmas carol and a Christmas popular song can often be unclear as they are both sung by groups of ...
The 50 Best Christmas Carols of All Time 1. "Silent Night" — Michael Buble ... "Go Tell It on the Mountain" — Cedarmont Kids. ... this classic hymnal was set to music just one year later.
Inspired by a French Christmas carol of the mid 1800s and set to the tune of the ancient hymn “Gloria,” this song is a glorious musical celebration of the birth of Christ.
Cowboy Christmas: Cowboy Songs II is the seventeenth album by American singer-songwriter Michael Martin Murphey, his second album of cowboy songs, and his first album of Christmas music. [ 2 ] [ 3 ] Track listing
Neal Hellman (born April 13, 1948, in New York, New York) is an American folk musician, music teacher, and performer of the mountain dulcimer.He has been active in performing, writing, teaching and recording acoustic music for the past thirty years throughout the United States and Europe.
Carols of All Seasons is a 1959 studio album by American folk singer Jean Ritchie. It was recorded with two classical musicians, which is not unusual for the late 1950s. The sound anticipates the slightly baroque arrangements that Shirley Collins would later use on Anthems in Eden .
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