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The King Wolf, pyrography on olive wood by Roberto Frangioni Piroritrattista Framàr. Pyrography or pyrogravure is the free handed art of decorating wood or other materials with burn marks resulting from the controlled application of a heated object such as a poker. It is also known as pokerwork or wood burning. [1]
Strips of silk ribbons are cut and appliquéd in layers, creating designs defined by negative space. The colors and designs might reflect the clan or gender of the wearer. Powwow and other dance regalia from these tribes often feature ribbonwork. These tribes are also known for their fingerwoven sashes. Pueblo men weave with cotton on upright ...
Light burning is also been called "Paiute forestry," a direct but derogatory reference to southwestern tribal burning habits. [52] The ecological impacts of settler fires were vastly different than those of their Native American predecessors. Cultural burning practices were functionally made illegal with the passage of the Weeks Act in 1911. [53]
This method of management was a form of cultural burning that maintained the savannah and wetland prairie system of the peninsula's low land environments.In 2008 it was found that after the suppression of these burns the area has since been forested by Douglas Firs with a decrease in the Bear Grass population.
Wood carvings such as those by Central Australian artist Erlikilyika shaped like animals, were sometimes traded to Europeans for goods. The reason Aboriginal people made wood carvings was to help tell their Dreaming stories and pass on their group's lore and essential information about their
Slash-and-burn agriculture is a farming method that involves the cutting and burning of plants in a forest or woodland to create a field called a swidden. The method begins by cutting down the trees and woody plants in an area. The downed vegetation, or "slash", is then left to dry, usually right before the rainiest part of the year.
If the megafauna remained in some areas until the Holocene, evidence is needed from within the last 10,000 years for changes induced by new Aboriginal burning patterns. [ 15 ] Another factor to be considered is the likelihood that Aboriginal population density increased rapidly and dramatically over the last 5,000 to 10,000 years.
Pre-European Māori had no written language so tribal history and beliefs were kept in the form of objects ranging from woven baskets to complex carvings in wood, bone, shell and greenstone. These objects or 'taonga' were passed down through generations of tribal elders, taking on the spirits of past owners.