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The diminished seventh chord is a four-note chord (a seventh chord) composed of a root note, together with a minor third, a diminished fifth, and a diminished seventh above the root: (1, ♭ 3, ♭ 5, 7). For example, the diminished seventh chord built on B, commonly written as B o 7, has pitches B-D-F-A ♭:
Diminished major seventh chords are very dissonant, containing the dissonant intervals of the tritone and the major seventh.They are frequently encountered, especially in jazz, as a diminished seventh chord with an appoggiatura [citation needed], especially when the melody has the leading note of the given chord: the ability to resolve this dissonance smoothly to a diatonic triad with the same ...
the fifth note the V major chord (or even a dominant 7th), the sixth note the vi minor chord, the seventh note the vii diminished chord and; the octave would be a I major chord. Using the minor (aeolian mode) one would have: i minor, ii diminished, (♭)III major, iv minor, v minor, (♭)VI major, (♭)VII major and; the i minor an octave ...
The seventh is either a major seventh [M7] above the root, a minor seventh [m7] above the root (flatted 7th), or a diminished seventh [d7] above the root (double flatted 7th). Note that the diminished seventh note is enharmonically equivalent to the major sixth above the root of the chord. The table below shows the names, symbols, and ...
The diminished seventh is used quite readily in the minor key, where it is present in the harmonic minor scale between the seventh scale step and the sixth scale step in the octave above. In 12-tone equal temperament , a diminished seventh is equal to nine semitones, a ratio of 2 9/12 :1 (approximately 1.6818), or 900 cents, and is ...
The second mode, also called the octatonic, diminished, whole-half, or half-whole scale, is divided into four groups of three notes each. It contains the intervals semitone, tone, semitone, tone, semitone, tone, semitone, tone – it has three transpositions, like the diminished 7th chord, and two modes: Play ⓘ
The half-diminished seventh chord is frequently used in passages that convey heightened emotion. For example, the "mournful affect" [5] of the sombre opening Chorus of J. S. Bach's St Matthew Passion (1727) features the chord on the seventh beat of its first bar and on the first beat of its third bar:
The most common chords are tertian, constructed using a sequence of major thirds (spanning 4 semitones) and/or minor thirds (3 semitones). Since there are 3 third intervals in a seventh chord (4 notes) and each can be major or minor, there are 7 possible permutations (the 8th one, consisted of four major thirds, results in a non-seventh augmented chord, since a major third equally divides the ...
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