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It has been suggested [5] that a sonata by Bernhard Romberg also helped inspire this work. However, given that the Romberg work in question, his Sonata in e minor, op. 38, was originally published as a trio for viola and 2 cellos in 1826 and later arranged as a sonata for cello and piano by Friedrich Gustav Jensen c. 1877, this theory is untenable.
A cello sonata is piece written sonata form, often with the instrumentation of a cello taking solo role with piano accompaniment. [1] Some of the earliest cello sonatas were composed in the 18th century by Francesco Geminiani and Antonio Vivaldi, and since then other famous cello sonatas have grown to those by Johannes Brahms, Ludwig van Beethoven, and Sergei Rachmaninoff among others.
Op. 15 Piano Concerto No. 1 in D minor : piano, orchestra 1854–58 original version as Sonata for Two Pianos 1854 (Mvts 2 & 3 are Anh. 2a/2) (discarded), 2nd version as Symphony in D minor in 4 mvts (4th mvt never written) 1854–55 (Mvts 2 & 3 are Anh. 2a/2) (discarded), final version (Piano Concerto) in 3 mvts (only 1st mvt from previous versions, 2nd & 3rd mvts new) 1855–58;
The Allegro vivace is a sonata form opening with a fragmented cello theme over a tremolo piano part. [3] Its bipartite exposition somewhat unusually traverses F major, C major, and A minor; [4] Roger Graybill argued that the tonal plan may be read as ultimately returning to F major, given the intricate motivic structure of its voice leading.
Johannes Brahms. Cello sonata No. 1, Op. 38 in E minor (1862–65) Cello sonata No. 2, Op. 99 in F major (1886) Violin sonata No. 1, Op. 78 in G major Rain (1878–79), transcribed for cello by Paul Klengel; Violin Sonata No. 2, Op. 100 in A major (1886), transcribed for cello by Laszlo Varga
Some of Brahms's music is modeled on Baroque sources, especially Bach (e.g., the fugal finale of Cello Sonata No. 1 on Bach's The Art of Fugue, the passacaglia theme of the Fourth Symphony's finale on Bach's Cantata No. 150).
String Quintet No. 2 in G major, Op. 111, is a work by Johannes Brahms composed in 1890 and published in 1891. It is known as the Prater Quintet. Brahms intended it to be his last piece of music, though he later produced a number of piano pieces and the two sonatas for clarinet or viola and piano.
The Symphony No. 4 in E minor, Op. 98 by Johannes Brahms is the last of his symphonies. Brahms began working on the piece in Mürzzuschlag , then in the Austro-Hungarian Empire , in 1884, just a year after completing his Symphony No. 3 .
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