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the Yamaha SHS-10 shoulder keyboard in 1987, and the Yamaha PSS-140 and Yamaha SHS-200 in 1988; the Yamaha PSR-6 keyboard in 1988; several sound enhancement cartridges for MSX computers. It is also built into select MSX2 and MSX2+ systems, and all MSX Turbo R machines, as part of the MSX-Music standard; and [1] JTES Japanese teletext receivers. [2]
PSR-OR700 (2007, Oriental version of Yamaha PSR-S700) PSR-A2000 (2012, Oriental model and black version of Yamaha PSR S710. And the first A series whose Pitch Band and Modulation uses a Joystick) PSR-A3000 (2016, Oriental version based on Yamaha PSR-S770 and first A Series to have multiple colours in the board)
The YM2612, a.k.a. OPN2, is a sound chip developed by Yamaha.It is a member of Yamaha's OPN family of FM synthesis chips, and is derived from the YM2203. [1]The YM2612 is a six-channel FM synthesizer used in several game and computer systems, most notably in Sega's Mega Drive/Genesis video game console [2] as well as Fujitsu's FM Towns computer series. [3]
There are 11 tunings available including the standard Equal Temperament, useful to experiment or produce a performance of classical music in the tuning of its day (e.g. Pythagorean, Werckmeister, 1/4 tone, etc). Microtuning is also available allowing the user to specify the pitch of each note to create unique tunings.
Yamaha SY77 is a 16 voice multitimbral music workstation first produced by Yamaha Corporation in 1989. The SY77 is a synthesizer whose architecture combines AFM (Advanced Frequency Modulation) synthesis, AWM2 (Advanced Wave Memory 2) for ROM-borne sample-based synthesis, and the combination of these two methods christened Realtime Convolution and Modulation Synthesis (RCM).
Music production using a digital audio workstation (DAW) with multi-monitor set-up. Digital music technology encompasses the use of digital instruments to produce, perform [1] or record music. These instruments vary, including computers, electronic effects units, software, and digital audio equipment.
Its scope includes articles that document the considerations and mechanisms used by, and consistent with, the purview of the production element. As an art form, music predates transcription and simultaneously transcends descriptive limitations. As an industry, music has demonstrated consistent viability over time.