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Howie (Hongmao/虹猫） - a red cat who is the head of the Seven Swords. He is superb in martial arts, strong and brave, and resourceful. Handsome and unrestrained, he is the leader of the Seven Swords and shoulders the important task of uniting the descendants of the Seven Swords and eradicating the demon sect. Cheerful and enthusiastic, he exudes sunshine at all times.
Lil' Howie Howie Mandel: Kai Taschner: Lil' Howie, is a yellow bear who can make adventures. Stinky Maurice LaMarche: Thomas Wersche: Stinky, is a skunk and Howie's best friend. Digibot/Alphabot Maurice LaMarche Tonio von der Meden: Digibot, a robot who can travel adventure. Sarah Wendee Lee: Joyce Bakels: Sarah, is a yellow bear and Howie's ...
It should only contain pages that are Howie Day albums or lists of Howie Day albums, as well as subcategories containing those things (themselves set categories). Topics about Howie Day albums in general should be placed in relevant topic categories .
Stop All the World Now is the second album and major label debut by American singer-songwriter Howie Day.It was recorded at Olympic Studios in London and released by Epic Records on October 7, 2003.
Howie continued singing and after a year at Berklee College of Music in Boston, Massachusetts, he also moved to New York. [8] He was originally in the rock band Coalition. Vallance and Howie reunited in a Lowe's hardware store parking lot. [9] They started working on music in Howie's apartment, [10] then shared a flat and began working on music ...
Sound the Alarm is the third full-length album by American singer-songwriter Howie Day, and the follow-up to his million-selling second album Stop All the World Now.It was recorded over a three-year period, during which he attended a rehabilitation center for alcohol abuse.
Skylab is an English/Japanese electronic group formed in 1993 by Howie B, Mat Ducasse, Masayuki Kudo, and Toshio Nakanishi. They have released two full-length albums as well as several EPs and singles. [1] In 2015, Fact Magazine ranked their second album at #17 on its list of "The 50 Best Trip-Hop Albums of All Time". [2])
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