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Newark, New Jersey, 1912. From roughly 1860 to 1920 [1] [2] painted photography backdrops were a standard feature of early photography studios. Generally of rustic or quasi-classical design, but sometimes presenting a bourgeoisie trompe-l'œil, [3] they eventually fell out of fashion with the advent of the Brownie and Kodak cameras which brought photography to the masses with concurrent ...
The combination of these characteristics enables a photographer to mimic the look of large format film photography with a digital camera. Large format cameras use a negative that is at least 4×5 inches (102×127 mm) and are known for their very shallow depth of field when using a wide aperture and their unique high level of clarity, contrast ...
Using their smart phones, customers can remove unwanted details in the photo, merging elements of multiple images into one using multiple techniques etc. I The company also produces "Krome Look Books" that includes backgrounds and styles for photo edits . [3] [4] It also provides travel scenes, backdrops, as well as general outdoor scenes. [5]
Agfacolor. Ap-41 process (pre-1978 Agfa color slides; 1978-1983 was a transition period when Agfa slowly changed their color slide films from AP-41 to E6); Anthotype; Autochrome Lumière, 1903
Cabinet card by photographer Warner Gothard, c. 1897. Well-known cabinet card photographers include G.M. Gros & Bro. of Wisconsin and Warner Gothard (1865-1940) who photographed the British royal family when they were in Leeds in 1894. Gothard had studios in Leeds as well as Dewsbury, Halifax and Barnsley. [2] [3]
A chromogenic print, also known as a C-print or C-type print, [1] a silver halide print, [2] or a dye coupler print, [3] is a photographic print made from a color negative, transparency or digital image, and developed using a chromogenic process. [4]
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