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Quarter tone on C. A quarter tone is a pitch halfway between the usual notes of a chromatic scale or an interval about half as wide (orally, or logarithmically) as a semitone, which itself is half a whole tone. Quarter tones divide the octave by 50 cents each, and have 24 different pitches.
Comparison between tunings: Pythagorean, equal-tempered, quarter-comma meantone, and others.For each, the common origin is arbitrarily chosen as C. The degrees are arranged in the order or the cycle of fifths; as in each of these tunings except just intonation all fifths are of the same size, the tunings appear as straight lines, the slope indicating the relative tempering with respect to ...
quarter tone Half of a semitone; a pitch division not used in most Western music notation, except in some contemporary art music or experimental music. Quarter tones are used in Western popular music forms such as jazz and blues and in a variety of non-Western musical cultures. quasi (Latin and Italian)
Lowers the pitch of a note by three quarter tones. As with a demiflat, a slashed double-flat symbol is also used. Demisharp / Half sharp Raises the pitch of a note by one quarter tone. Sharp-and-a-half (sesquisharp) Raises the pitch of a note by three quarter tones. Occasionally represented with two vertical and three diagonal bars instead ...
Dialogue, for two pianos tuned a quarter-tone apart, eight hands, W.o.O. (1959) Dithyrambe, for two pianos tuned a quarter-tone apart, Op. 12 (1923–1924) Études sur les mouvements rotatoires, for two pianos tuned a quarter-tone apart, eight hands, Op. 45a.; for chamber orchestra, Op. 45c (1961)
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
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The second genre is composed of a tone, a three-quarter tone, and a three-quarter tone, as G–A–B –C. The third genre has a tone and a quarter, a three-quarter tone, and a semitone, as G–A –B–C. The fourth genre, corresponding to the Greek chromatic, has a tone and a half, a semitone, and a semitone, as G–A ♯ –B–C.