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The Passio secundum Joannem or St John Passion [a] (German: Johannes-Passion), BWV 245, is a Passion or oratorio by Johann Sebastian Bach, the earliest of the surviving Passions by Bach. [1] It was written during his first year as director of church music in Leipzig and was first performed on 7 April 1724, at Good Friday Vespers at the St ...
The seventh chorale, movement 22, is the central movement of the whole Passion, which interrupts the conversation of Pilate and the crowd by a general statement of the importance of the passion for salvation: "Durch dein Gefängnis, Gottes Sohn, ist uns die Freiheit kommen" (Through your prison, Son of God, must come to us our freedom) [8] [22 ...
Bach's St John Passion contains an alto aria beginning with this line, as a summary immediately after the death of Jesus. The closing chorale of the cantata is the last of 33 stanzas of Paul Stockmann's "Jesu Leiden, Pein und Tod" (1633). [2] [6] Bach probably first performed the cantata on 27 February 1729, or possibly earlier. [2] [9]
The Bach-Gesellschaft Ausgabe (BGA, Bach Gesellschaft edition) kept the chorale settings that were part of a larger vocal work (cantata, motet, Passion or oratorio) together with these larger vocal works and added the Three Wedding Chorales to its 13th volume containing wedding cantatas. The remaining separate four-part chorales, purged from ...
"Keiser"'s St Mark Passion, version BC D 5a (early 1710s, with possibly a few movements added or arranged by Bach) Weimarer Passion (26 March 1717, lost) 1 – First year in Leipzig, 7 April 1724. St John Passion, BWV 245, 1st version; 2 – Second year in Leipzig, 30 March 1725: St John Passion, 2nd version; 3 – Third to fifth year in Leipzig:
since St John's Gospel is known as the Book of Signs, and since the tonal plan of Bach's St John Passion appears to have been conceived as a form of play on the three musical signs (ie sharp, flat and natural key areas) this important detail in the plan of Aus tiefer Not perhaps possesses a wider significance, relating it to Bach's tonal ...
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Passio Domini Nostri Jesu Christi secundum Joannem (The Passion of Our Lord Jesus Christ According to John), also known as the St. John Passion or simply Passio, is a passion setting by Arvo Pärt for solo baritone (Jesus), solo tenor (Pilate), solo vocal quartet (Evangelist), choir, violin, oboe, cello, bassoon and organ.