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On May 27, 2006, Thúy Nga Productions put on the live variety show Paris by Night 83 with the theme Những khúc hát ân tình (Songs of affection) in California, USA to pay tribute to three Vietnamese songwriters during which the singers performed 11 songs by Nguyen Anh 9.
Lâm Nhật Tiến (born September 3, 1971) is a Vietnamese American singer who was affiliated with the music label Asia Entertainment Inc. from 1994 to 2016. [1] He gained prominence through numerous appearances in Asia Entertainment's music videos, establishing himself as one of Vietnam's leading male pop stars.
Một buổi sáng mùa xuân (A spring morning) Một cõi đi về (A place for leaving and returning) Một lần thoáng có; Một ngày như mọi ngày (A day just like any other day) Một ngày vinh quang (A day of glory) Mùa áo quan (The season of coffins) Mùa hè đến (The summer's arrived) Mưa hồng (Pink rain)
The song was composed and arranged by the group DTAP and takes inspiration from the culture of the Mekong Delta in Southern Vietnam. [6] [7] [8] Thùy Linh commented that the song was inspired by her first time falling in love as a teenager. [9]
Phạm Duy (5 October 1921 – 27 January 2013) was one of Vietnam's most prolific songwriters with a musical career that spanned more than seven decades through some of the most turbulent periods of Vietnamese history and with more than one thousand songs to his credit, [1] he is widely considered one of the three most salient and influential figures of modern Vietnamese music, along with ...
He start singing at the age of 4, when he sang in children's radio programs. At the age of 13, he followed older artists to sing at American clubs during its sparse period in Saigon . By the end of 1960s, when the movement of young music flourished, Tuấn Ngọc began performing English songs, from which he gained popularity.
A young Jimmy Carter was no stranger to gospel music growing up in the small rural town of Plains, Georgia during the ’20s and early ’30’. He heard it sung by Black tenant farmers working on ...
Throughout Latin America, "rumba" acquired different connotations, mostly referring to Cubanized, danceable, local styles, such as Colombian rumba criolla (creole rumba). At the same time, "rumba" began to be used a catch-all term for Afro-Cuban music in most African countries, later giving rise to re-Africanized Cuban-based styles such as ...