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In 1936 the Resors built the White Cabin for guest quarters. The White Cabin was designed by Philip Goodwin, who worked with Edward Durrell Stone on the Museum of Modern Art, and was on the board of directors of MOMA along with Helen Lansdowne Resor. The cabin's white interior lent it its name.
The farmhouse aesthetic maven, Joanna Gaines, has inspired this durable yet soft masterpiece, which is environmentally friendly to boot. Use in your living room, dining room or bedroom. Did I ...
The cabins were made more aerodynamic, spacious and curved. New headlamps were installed to continue the cabin aesthetic. Interior quality as well as the dashboard were improved and made more ergonomic. The front suspension was modified and a new liquid sealed cab mount improved ride quality.
The Passion was based on a modular ESSA platform shared with the Free model, which allows, among other things, the flat location of the propulsion system batteries under the passenger cabin. [2] The luxuriously arranged interior was dominated by displays, which also formed an angled touchscreen air conditioning panel.
A modern interpretation of the classic A-frame cabin. [11] The split roof design comprises two intersecting gables articulated by geometric windows. The 93-square-metre cabin is lifted above grade by an insulated concrete form (ICF) foundation, minimizing the amount of concrete necessary and eliminating the need for blasting of the bedrock on ...
The three cabin interior has with a double island berth in the bow "owners" cabin, a U-shaped settee and a straight settee in the main cabin and two aft cabins, each with a double berth. The forward cabin may be divides into two cabins, each with a "V"-berth. A single crew cabin may also be added aft, on the starboard side.
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