Search results
Results from the WOW.Com Content Network
The earliest Buddhist art is from the Mauryan era (322 BCE – 184 BCE), there is little archeological evidence for pre-Mauryan period symbolism. [6] Early Buddhist art (circa 2nd century BCE to 2nd century CE) is commonly (but not exclusively) aniconic (i.e. lacking an anthropomorphic image), and instead used various symbols to depict the Buddha.
In the Pali literature, these short verses are recommended by the Buddha as providing protection from certain afflictions. The belief in the effective power to heal, or protect, of the sacca-kiriya, or asseveration of something quite true is an aspect of the work ascribed to the paritta.
In Tibetan Buddhism, the Three Jewels and Three Roots are supports in which a Buddhist takes refuge by means of a prayer or recitation at the beginning of the day or of a practice session. The Three Jewels are the first and the Three Roots are the second set of three Tibetan Buddhist refuge formulations, the Outer , Inner and Secret forms of ...
The Twenty-Four Protective Deities or the Twenty-Four Devas (Chinese: 二十四諸天; pinyin: Èrshísì Zhūtiān), sometimes reduced to the Twenty Protective Deities or the Twenty Devas (Chinese: 二十諸天; pinyin: Èrshí Zhūtiān), are a group of dharmapalas in Chinese Buddhism who are venerated as defenders of the Buddhist dharma.
[45] [46] For example, the Vajrasamadhi-sutra – a Korean Buddhist text likely composed in the 7th century by an unknown monk, one important to the Chan and Zen Buddhist tradition in East Asia, the Dharani chapter is the eighth (second last), with a brief conversational epilogue between the Tathagata Buddha and Ananda being the last chapter.
The Nyingma school of Tibetan Buddhism has its own unique lojong tradition and root texts which is based on a set of seven lojongs. The first six aphorisms are mainly about common Buddhist Mahayana topics which can be found in the Sarma schools lojong texts, but the seventh lojong methods are unique to the Dzogchen tradition's lojong texts.
This concept of Buddhist pedagogical strategies is often explained through parables or allegories. [9] In the Lotus Sūtra , the many 'skillful' or 'expedient' practices and teachings taught by the Buddha (including the " three vehicles " to awakening) are revealed to all be part of the "One Vehicle" (Skt.: ekayāna , Ch.:一乘; yīchéng ...
Four auspicious symbols. Mandi. Auspicious symbols. Mandi. The dhvaja (Sanskrit; Tibetan: རྒྱལ་མཚན་, THL: gyeltsen) "banner, flag" was a military standard of ancient Indian warfare. The symbol represents the Buddha's victory over the four māras, or hindrances in the path of enlightenment. These hindrances are pride, desire ...