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Catherine de' Medici was a patron of the arts made a significant contribution to the French Renaissance. Catherine was inspired by the example of her father-in-law, King Francis I of France (reigned 1515–1547), who had hosted the leading artists of Europe at his court.
From the ancient world onward, patronage of the arts was important in art history.It is known in greatest detail in reference to medieval and Renaissance Europe, though patronage can also be traced in feudal Japan, the traditional Southeast Asian kingdoms, and elsewhere—art patronage tended to arise wherever a royal or imperial system and an aristocracy dominated a society and controlled a ...
By the time he ascended the throne in 1515, the Renaissance had arrived in France, and Francis became an enthusiastic patron of the arts. At the time of his accession, the royal palaces of France were ornamented with only a scattering of great paintings, and not a single sculpture, not ancient nor modern.
Lorenzo's grandfather, Cosimo de' Medici, was the first member of the Medici family to lead the Republic of Florence and run the Medici Bank simultaneously. As one of the wealthiest men in Europe, the elder Cosimo spent a very large portion of his fortune on government and philanthropy, for example as a patron of the arts and financier of public works. [7]
Giovanni di Paolo was an important patron of the arts, matched only by Cosimo de' Medici in fifteenth-century Florence. [4]: 105 He commissioned the building of the Palazzo Rucellai, designed by Leon Battista Alberti, and of the Loggia Rucellai. [1]
While Pope Julius II is also remembered as the "Warrior Pope" for his Machiavellian tactics, he was also given the name of "the Renaissance Pope." He modeled his patronage practices on those of his uncle Pope Sixtus IV (1471–84), and began amassing large personal and public art collections and commissioning numerous civic and religious ...
He was educated at the Neapolitan court of Alfonso, king of Aragon and Naples, from 1445 to 1460; there he studied military arts, chivalry, and acquired an appreciation for all'antica architecture and the fine arts, which would result in his becoming one of the most significant art patrons of the Renaissance. [3]
Renaissance art (1350 – 1620 [1]) is the painting, ... Cosimo de' Medici set a new standard for patronage of the arts, not associated with the church or monarchy.