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Native beadwork continued to advance in the pre-Columbian era. Beads were made from hand-ground and filed turquoise, coral, and shell. Carved wood, animal bones, claws, and teeth were made into beads, which were then sewn onto clothing, or strung into necklaces. [6] [7] Turquoise is one of the dominant materials of Southwestern Native American ...
Native American beadwork began using glass beads when the Europeans brought over glass beads. The peyote stitch got its modern name from the Kiowa and Comanche Tribes in the 1800s. Modern Native American beadwork uses the peyote stitch in jewelry, objects, and traditional objects. [3]
Native American jewellery is the personal adornment, often in the forms of necklaces, earrings, bracelets, rings, pins, brooches, labrets, and more, made by the Indigenous peoples of the United States. Native American jewellery reflects the cultural diversity and history of its makers.
Kandi bracelets have kandi-specific terms to describe them. [3] Stitch is an umbrella term regarding the specific types of kandi; the three most common stitches are multistitch (even tubular peyote stitch), flat peyote stitch (even and odd), and x base. [3] Cuffs are any form of kandi bracelet that uses multiple rows of beads. [3]
She uses a loom for beaded bracelets. Her larger pictorial work involved beads stitched onto brain-tanned deer hide, which she often mounts onto wood or other structures. For her Best of Show piece in the 1999 Santa Fe Indian Market, she beaded a parade scene onto hide stretched over an antique umbrella frame.
Native American beadwork, already established via the use of materials like shells, dendrite, claws, and bone, evolved to incorporate glass beads as Europeans brought them to the Americas beginning in the early 17th century. [20] [21] Native beadwork today heavily utilizes small glass beads, but artists also continue to use traditionally ...
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