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This type of tile was named for the Qallalin district of Tunis, where they were most commonly produced. [1]: 223–224 [2]: 84 Although their production may have started as early as the 16th century, prior to the advent of Ottoman rule, the height of their production and artistic quality was in the 17th and 18th centuries.
Whereas Arabic epigraphy was usually carved in stucco or painted on larger square tiles, these two examples contain very fine Arabic inscriptions in Naskhi script that are made from the assembly of coloured tile pieces cut in the form of the letters themselves and set into a white background. [18] The tiles of the Torre de la Cautiva are ...
In the first half of the 19th century, there was a stagnation in the production of decorative tiles, owing first to the incursion of the Napoleonic army and later to social and economic changes. When around 1840 immigrant Brazilians started an industrialized production in Porto , the Portuguese took over the Brazilian fashion of decorating the ...
These include kilim carpets, Persian girih and Moroccan zellij tilework, muqarnas decorative vaulting, jali pierced stone screens, ceramics, leather, stained glass, woodwork, and metalwork. Interest in Islamic geometric patterns is increasing in the West, both among craftsmen and artists like M. C. Escher in the twentieth century, and among ...
Glazed tile decoration in the cuerda seca technique was used in other early Ottoman monuments, particularly in the Green Mosque and the associated Green Tomb in Bursa (early 15th century). [2] [3] The tiles of the Green Mosque complex generally have a deep green ground mixed with combinations of blue, white, and yellow forming arabesque motifs.
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