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The sonata form (also sonata-allegro form or first movement form) is a musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle of the 18th century (the early Classical period ).
After this, the downward chromatic octaves reappear, but this time at p level, before the orchestra plays an ascending chromatic section, leading into a tonal recapitulation of the first theme. The movement ends with very similar music to the beginning of the first movement, with a blistering piano passage ending in an F diminished seventh ...
While the first-movement form had been the subject of theoretical works, it was seen as the pinnacle of musical technique. Part of the training of 19th-century composers was to write in sonata form and to favor sonata form in the first movement of multi-movement compositions, like symphonies, piano concertos, and string quartets.
The first movement is in sonata-allegro form, consisting of an exposition where two themes are first stated, a development, a recapitulation where the themes are restated, and a coda. [ 24 ] [ 25 ] The movement's opening five-note motive ( see below ) implies the triads of both D major and D minor , [ 26 ] creating the first of numerous tonal ...
The sonata form is "the most important principle of musical form, or formal type from the classical period well into the twentieth century." [15] It is usually used as the form of the first movement in multi-movement works. So, it is also called "first-movement form" or "sonata-allegro form" (because usually the most common first movements are ...
The third movement usually follows a dance-like form, such as Minuet [or Scherzo] and Trio form. It is commonly written in the home key. Or, if used as the last movement, is in a fast tempo such as prestissimo, presto, or vivace. Like in Beethoven's "Pathetique" sonata Op.13 Third Movement
However, two- and three-movement sonatas continued to be written throughout the Classical period: Beethoven's opus 102 pair has a two-movement C major sonata and a three-movement D major sonata. Nevertheless, works with fewer or more than four movements were increasingly felt to be exceptions; they were labelled as having movements "omitted ...
The first movement is in sonata form, divided into five sections: orchestral introduction, exposition, development, recapitulation, and coda. This movement is large, lasting between 20 and 25 minutes.