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2112 was released to favourable reviews from music critics and quickly outsold the band's previous albums. Rush toured the album extensively in 1976 and 1977, which culminated in their debut concerts in Europe. 2112 remains the band's second-highest-selling album behind Moving Pictures with more than
One of Rush's more recent releases is the Signals: 40th Anniversary box set, released on April 28, 2023. [3] The Signals box set was preceded by similar 40th Anniversary releases of 2112 on December 16, 2016, [ 4 ] A Farewell to Kings on December 1, 2017, [ 5 ] Hemispheres on November 16, 2018, [ 6 ] Permanent Waves on May 29, 2020, [ 7 ] and ...
"2112" (pronounced twenty-one twelve) is a song by the Canadian rock band Rush. It was released as a 20-minute song on their 1976 album of the same name and is the longest single song by the band. The overture and the first section, "The Temples of Syrinx", were released as a single.
R30: 30th Anniversary World Tour is a live DVD by the Canadian rock band Rush, released on November 22, 2005 in Canada and the US, and November 28, 2005 in Europe. The DVD documents the band's R30: 30th Anniversary Tour, and was recorded on September 24, 2004 at the Festhalle Frankfurt, Germany. The DVD was released in both a standard and a ...
"A Passage to Bangkok" is a song by Canadian rock band Rush, released in March 1976 by Anthem Records. The song appears on the band's fourth studio album 2112 (1976). [3] With the album's title track comprising the first half of the record, "A Passage to Bangkok" opens the second side of the album (on the original LP and audio cassette).
Alternate recordings of "2112" and "Something For Nothing" from the June 11–13 performances were released as part of the 2112: 40th Anniversary box set in 2016. According to the liner notes, All the World's a Stage marks the end of the "first chapter of Rush" and would begin a trend of Rush releasing a live album after every four studio ...
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Their cover was also included on the second disc on the 40th anniversary edition of 2112. [5] Rolling Stone magazine said about the cover: "Singer William DuVall delivers a grittier approach to Geddy Lee's original melody, and Jerry Cantrell spices up the instrumental sections with grandiose, harmonized electric guitar lines."
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