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The text also adds that the garbha has "no self, soul or personality" and "incomprehensible to anyone distracted by sunyata (voidness)"; rather it is the support for phenomenal existence. [84] The notion of Buddha-nature and its interpretation was and continues to be widely debated in all schools of Mahayana Buddhism.
The central meaning of emptiness (śūnyatā) in Yogācāra is a twofold "absence of duality." The first element of this is the unreality of any conceptual duality such as "physical" and "non-physical", "self" and "other".
The final lines of the Heart Sutra can be read in two different ways, depending on the interpretation of the character 咒, zhòu, meaning either mantra (danini), or "a superlative kind of practical knowledge or incantation . [57] According to Attwood, vidyā may be misunderstood, and the concluding mantra may have been a later addition. [57]
Alfred Julius Emmanuel Sorensen (October 27, 1890 – August 13, 1984), also known as Sunyata, Shunya, or Sunyabhai, was a Danish mystic, horticulturist and writer who lived in Europe, India and the US.
In the tantric traditions of Buddhism, the vajra is a symbol for the nature of reality, or sunyata, indicating endless creativity, potency, and skillful activity. The vajra and bell are used in many rites by a lama or any Vajrayana practitioner of sadhana.
However, he also argues that basic Mahāyāna concepts such as "the bodhisattva ethic, emptiness (sunyata), and the recognition of a distinction between buddhahood and arhatship as spiritual ideals," can be seen in the Pāli Canon. According to Pettit, this suggests that Mahāyāna is "not simply an accretion of fabricated doctrines" but "has a ...
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The term nirvana is part of an extensive metaphorical structure that was probably established at a very early age in Buddhism. It is "the most common term used by Buddhists to describe a state of freedom from suffering and rebirth," [13] but its etymology may not be conclusive for its meaning. [14]