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The medieval manuscript of The Dream of the Rood. The Dream of the Rood is one of the Christian poems in the corpus of Old English literature and an example of the genre of dream poetry. Like most Old English poetry, it is written in alliterative verse. The word Rood is derived from the Old English word rōd 'pole', or more specifically 'crucifix'.
The Dream of the Rood [1] Dryhten [2] "Lord" ece Dryhten "eternal Lord" Cædmon's hymn [3] dryhntes dreamas "the joys of the Lord" The Seafarer [4] heofones Dryhten "heaven's Lord" The Dream of the Rood [5] Ealdor [6] "Prince" wuldres Ealdor "Prince of Glory" The Dream of the Rood [7] Fæder "Father" Heahfæder "Highfather" The Dream of the ...
In addition to Beowulf, Neidorf has published extensively on other major Old English poems, including Widsith, [9] [10] [11] Maxims, [12] [13] the Finnesburg Fragment, [14] [15] and The Dream of the Rood.
The Ruthwell cross features the largest figurative reliefs found on any surviving Anglo-Saxon cross—which are among the largest surviving Anglo-Saxon reliefs of any sort—and has inscriptions in both Latin and, unusually for a Christian monument, the runic alphabet, the latter containing lines similar to lines 39–64 of Dream of the Rood ...
The Dream of the Rood, from which lines are found on the Ruthwell Cross, is the only surviving fragment of Northumbrian Old English from early Medieval Scotland. In Latin early works include a "Prayer for Protection" attributed to St Mugint, and Altus Prosator ("The High Creator") attributed to St Columba.
More precisely, the Rood or Holyrood was the True Cross, the specific wooden cross used in Christ's crucifixion. The word remains in use in some names, such as Holyrood Palace and the Old English poem The Dream of the Rood. The phrase "by the rood" was used in swearing, e.g. "No, by the rood, not so" in Shakespeare's Hamlet (Act 3, Scene 4).
An inscription around the edges reads: + Rod is min nama; geo ic ricne Cyning bær byfigynde, blod bestemed (‘Rood is my name. Trembling once, I bore a powerful king, made wet with blood’). These lines bear a close relationship to ll. 44 and 48 in the Old English poem, 'The Dream of the Rood'.
Dream of the Rood, an Old English poem describing the crucifixion of Jesus from the point of view of a sentient tree; Hlín, a Norse goddess whose name some scholars have suggested may mean 'maple tree' Ilmr, an Old Norse goddess whose name may mean 'elm'