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Brunhild, also known as Brunhilda or Brynhild (Old Norse: Brynhildr [ˈbrynˌhildz̠], Middle High German: Brünhilt, Modern German: Brünhild or Brünhilde), is a female character from Germanic heroic legend. She may have her origins in the Visigothic princess and queen Brunhilda of Austrasia.
Brunhild, a figure in Germanic heroic legend; Brunhilda of Austrasia (c. 543–613), ... Broomhilda Von Shaft, a character in the 2012 film Django Unchained;
His belief in the role of folklore in ethnic nationalism – a folklore of Germany as a nation rather than of disunited German-speaking peoples – inspired the Brothers Grimm, Goethe and others. For instance, folklore elements, such as the Rhine Maidens and the Grimms' The Story of a Boy Who Went Forth to Learn Fear , formed part of the source ...
Creatures found in the legends and folktales of German-speaking countries such as Germany, Austria or Switzerland. Subcategories.
Title page of the first edition. Deutsche Sagen ("German Legends") is a publication by the Brothers Grimm, appearing in two volumes in 1816 and 1818.The collection includes 579 short summaries of German folk tales and legends (where "German" refers not just to German-speaking Europe generally but includes early Germanic history as well).
Broom-Hilda is an American newspaper comic strip created by cartoonist Russell Myers. Distributed by Tribune Content Agency , [ 1 ] it depicts the misadventures of a man-crazy, cigar-smoking, beer-guzzling, 1,500-year-old witch and her motley crew of friends.
Hagen kills Siegfried while the Burgundian kings Gunther, Giselher, and Gernot watch. Julius Schnorr von Carolsfeld, 1847.. Germanic heroic legend (German: germanische Heldensage) is the heroic literary tradition of the Germanic-speaking peoples, most of which originates or is set in the Migration Period (4th-6th centuries AD).
The Rhinemaidens lament the loss of the gold as, far above, the gods cross the rainbow bridge into Valhalla. Das Rheingold, Scene IV (Arthur Rackham).. The Rhinemaidens have been described as the drama's "most seductive but most elusive characters", [15] and in one analysis as representatives of "seduction by infantile fantasy". [17]