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In comics and art more broadly, motion lines (also known as movement lines, action lines, speed lines, [1] or zip ribbons) are the abstract lines that appear behind a moving object or person, parallel to its direction of movement, to make it appear as if it is moving quickly.
Speed lines: Often in action sequences, the background will possess an overlay of neatly ruled lines to portray direction of movements. Speed lines can also be applied to characters as a way to emphasize the motion of their bodies [D 3]: 14 (limbs in particular). This style, especially background blurs, extends into most action based anime as well.
Iconic manga techniques, such as speed lines, are frequently used, while most Malaysian manga are in color unlike their Japanese counterparts. [129] Clean linework, often created using digital tools like Clip Studio Paint, is a hallmark of this generation of artists. [130] Popular genres include slice-of-life stories with elements of fantasy. [131]
A comic book, also known as a comic or floppy, is a periodical, normally thin in size and stapled together. [41] Comic books have a greater variety of units of encapsulation than comic strips, including the panel, the page, the spread, and inset panels. They are also capable of more sophisticated layouts and compositions. [40]
Conceived for one of the world's most beloved comic brands, Marvel's iconic red and white logo showcases the ability of a unique logo to define and symbolize the ethos of a publishing empire ...
Ligne claire (French: [liɲ(ə) klɛːʁ]; Dutch: klare lijn [ˈklaːrə ˈlɛin]; both meaning "clear line") is a style of drawing created and pioneered by Hergé, the Belgian cartoonist and creator of The Adventures of Tintin. It uses clear strong lines sometimes of varied width and no hatching, while contrast is downplayed as well. Cast ...
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Masking (or the masking effect) is a visual style used in comics, first described by American cartoonist Scott McCloud in his book Understanding Comics: The Invisible Art. McCloud argues that characters with simple but recognizable designs, which he terms "iconic" characters, allow readers to project themselves into the story by using the ...