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B. B. King (1925–2015) was an American blues musician whose recording career spanned 1949–2008. As with other blues contemporaries, King's material was primarily released on singles until the late 1950s–early 1960s, when long playing record albums became more popular.
Riley B. King (September 16, 1925 – May 14, 2015), known professionally as B. B. King, was an American blues guitarist, singer, songwriter, and record producer. He introduced a sophisticated style of soloing based on fluid string bending, shimmering vibrato, and staccato picking that influenced many later electric guitar blues players.
His Definitive Greatest Hits is a compilation album by American blues musician B.B. King. It was produced, sequenced & compiled by Richard M. Ganter and released on April 12, 1999, by Polygram Records .
The Best of the Early Years is a 2007 Blues compilation album by B.B. King. This "Best of" collection was created from master recordings from King's works from the 1950s and 1960s. This "Best of" collection was created from master recordings from King's works from the 1950s and 1960s.
The song was released shortly after King's Paramount release "How Blue Can You Get" in 1964 and reached number 34 in the Billboard Hot 100. [9] [a] "Rock Me Baby" was the first of six B.B. King records to reach the Top 40. [9] In 1997, King re-recorded the song with Eric Clapton for the album Deuces Wild.
The Ultimate Collection is a compilation album by B.B. King, released in 2005. Track listing. Three O'Clock Blues" – 3:01 "Please Love Me" – 2:48
"You Know I Love You" is a song written and recorded by B.B. King. Released on RPM Records in 1952, it was King's second No. 1 single on the Billboard R&B chart. [1] [2] King's friend and collaborator Ike Turner played piano on the original recording. [3] The song was included on King's debut album Singin' The Blues in 1957. [4]
Live in Cook County Jail is a 1971 live album by American blues musician B.B. King, recorded on September 10, 1970, in Cook County Jail in Chicago.Agreeing to a request by jail warden Winston Moore, King and his band performed for an audience of 2,117 prisoners, most of whom were young black men.