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Engineer and Gibson employee Seth Lover had developed a hum-canceling circuit for amplifier power supplies and suspected the same concept could be applied to guitar pickups. [1] Ted McCarty authorized the project and Lover spent much of 1954 working on this noise-cancelling or "hum-bucking" pickup design. [4] By early 1955, the design was ...
Gibson says the instrument "accurately represents what Eric Clapton personally feels his 1960 Les Paul should be", with Clapton consulting on the design of the guitar. Production is limited but all feature period-correct hardware, two Gibson reproduction PAF humbucking pickups, and subtly figured "antiquity burst" maple tops.
A standard Gibson logo was branded into the headstock in the deluxe model. In 1996, the model was resurrected with The Paul II, [ 3 ] with a mahogany body and carved top like a Les Paul Studio instead of the flat top of prior models of The Paul The body is 2/3 as thick as a normal Les Paul and features a rear belly cut as well.
Lover's most famous humbucker design was the P.A.F. (Patent Applied For) designed while working for Gibson in 1955. This pickup was utilized in a range of Gibson guitars, most notably the Les Paul model. Before Lover, electric guitarists were forced to cope with the 60-cycle hum received by single coil pickups. It was in the mid-'50s, while ...
The Gibson L9-S Ripper is a model of electric bass guitar made by Gibson Guitar Corporation. The Ripper was designed by Bill Lawrence, and manufactured from 1973 until 1983, the peak year being 1976. Most had a maple body with laminated maple neck; however a significant number manufactured in 1975 had lighter alder bodies while retaining the ...
In 1968, Gibson reissued the original, single-cutaway Les Paul, one version being a Goldtop with P-90 pickups. [2] In 1972, they produced Limited Edition reissues, called the "58 Reissue" though actually based on the 54 Goldtop Les Paul, with a stopbar tailpiece; and the 54 Custom, the "Black Beauty," equipped with a P-90 in the bridge and an ...
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