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Engineer and Gibson employee Seth Lover had developed a hum-canceling circuit for amplifier power supplies and suspected the same concept could be applied to guitar pickups. [1] Ted McCarty authorized the project and Lover spent much of 1954 working on this noise-cancelling or "hum-bucking" pickup design. [4] By early 1955, the design was ...
The Paul Standard had a single sharp cutaway Les Paul-style walnut body, [2] set walnut neck, 22-fret ebony fingerboard with pearl dot inlays, walnut headstock with gold Gibson logo (1978–1981), three-per-side tuners, Tune-o-matic bridge, stop tailpiece, two exposed humbucker pickups, some models had "T" top pickups, four knobs (two volume ...
Gibson says the instrument "accurately represents what Eric Clapton personally feels his 1960 Les Paul should be", with Clapton consulting on the design of the guitar. Production is limited but all feature period-correct hardware, two Gibson reproduction PAF humbucking pickups, and subtly figured "antiquity burst" maple tops.
In 1968, Gibson reissued the original, single-cutaway Les Paul, one version being a Goldtop with P-90 pickups. [2] In 1972, they produced Limited Edition reissues, called the "58 Reissue" though actually based on the 54 Goldtop Les Paul, with a stopbar tailpiece; and the 54 Custom, the "Black Beauty," equipped with a P-90 in the bridge and an ...
This is a list of Gibson brand of stringed musical instruments, mainly guitars, manufactured by Gibson, alphabetically by category then alphabetically by product (lowest numbers first). The list excludes other Gibson brands such as Epiphone.
The Pro has 22 frets; the Standard has 24 frets. The Standard "Plus" has gold hardware. Unlike other 2-pickup single cutaway Les Pauls, these Gibson doublecutaway versions have one master volume and one master tone control (singlecut Les Pauls with two pickups have two sets of tone and volume controls, one for each pickup).
On "Pawn Stars," a rare piece of rock 'n roll history had the Gold and Silver Pawn Shop's employees literally drooling. The man walked into the shop and explained, "So, this is a 1941 Gibson SJ-200.
Beginning in 2010, Gibson stated that they would no longer be creating banjo tuners for the Firebird. [2] Gibson reissues of the Firebird do not use the same pickup build that was originally introduced in 1963. The modern Firebird pickups have a higher output volume, more midrange, and less treble than the original design. [citation needed]
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