Search results
Results from the WOW.Com Content Network
Microtonality is the use in music of microtones — intervals smaller than a semitone, also called "microintervals".It may also be extended to include any music using intervals not found in the customary Western tuning of twelve equal intervals per octave.
Again, this may be a microtonal, almost imperceptible affair, or it may be a slur between notes a semitone apart, so that there is actually not one blue note but two. A blue note may even be marked by a microtonal shake of a kind common in Oriental music. The degrees of the mode treated in this way are, in order of frequency, the third, seventh ...
These etudes bring out connections and resemblances to twelve-tone music as well as various xenharmonic characteristics, reflected in Twelve Microtonal Etudes for Electronic Music Media. About his 16-tone etude, Blackwood wrote: [4] This tuning is best thought of as a combination of four intertwined diminished seventh chords.
Sonido 13 is a theory of microtonal music created by the Mexican composer Julián Carrillo around 1900 [1] and described by Nicolas Slonimsky as "the field of sounds smaller than the twelve semitones of the tempered scale." [2] Carrillo developed this theory in 1895 [3] while he was experimenting with his violin.
Microtonal music or microtonality is the music with microtones (also called 'microintervals') used as ornamental inflexions of basically diatonic/chromatic scales or substantial elements of specifically microtonal scales. Some scholars also call 'microtonal' music with intervals which deviate from a semitone of the Western 12-tone equal ...
Microtonal albums (4 P) C. Microtonal compositions ... Xenharmonic music This page was last edited on 28 January 2014, at 14:50 (UTC). Text is available under the ...
Twelve Microtonal Etudes for Electronic Music Media, Op. 28, is a set of pieces in various microtonal equal temperaments composed and released on LP in 1980 by American composer Easley Blackwood Jr. In the late 1970s, Blackwood won a grant from the National Endowment for the Humanities to investigate the harmonic and modal properties of ...
12-tone equal temperament chromatic scale on C, one full octave ascending, notated only with sharps. Play ascending and descending ⓘ. 12 equal temperament (12-ET) [a] is the musical system that divides the octave into 12 parts, all of which are equally tempered (equally spaced) on a logarithmic scale, with a ratio equal to the 12th root of 2 (≈ 1.05946).