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Gaulli was born in Genoa, where his parents died from the plague of 1654.He initially apprenticed with Luciano Borzone. [1] In the mid-17th century, Gaulli's Genoa was a cosmopolitan Italian artistic center open to both commercial and artistic enterprises from north European countries, including countries with non-Catholic populations such as England and the Dutch provinces.
Bernini is responsible for not only obtaining the commission for Gaulli, but also for inspiring some of the designs. [4] If not for Bernini's illusionistic merging of architecture and sculpture, in the Ecstasy of Saint Teresa at the Cornaro Chapel in Santa Maria della Vittoria, Gaulli's ceiling fresco may have turned out quite differently. [5]
The ceiling of the apse is adorned by the painting Glory of the Mystical Lamb by Baciccia (Giovanni Battista Gaulli). [11] The most striking feature of the interior decoration is the ceiling fresco, the grandiose Triumph of the Name of Jesus (1678-1679) [12] by Giovanni Battista Gaulli. Gaulli also frescoed the cupola, including lantern and ...
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The collection includes a number of Italian paintings dating from 16th to 18th century. Outstanding among them are the religious and mythological scenes by Raffaellino del Garbo, Giacomo Francia, Giovanni Battista Gaulli and Sebastiano Ricci, besides the portraits by Alessandro Allori and Pompeo Batoni. [20] [21]
The fresco is the work of Giovanni Battista Gaulli, known as Baciccia. The stucco reliefs were executed by Ercole Antonio Raggi and Leonardo Reti, following the drawings of Baciccia who wanted to effect a real continuity between painting and sculpture.
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The municipal Pinacoteca holdings consist of a fresco by Perugino, depicting San Romano and San Rocco (1476), and the collection donated by a local patron, Lione Pascoli, which includes works by Niccolò di Liberatore, called Alunno, Giovan Battista Gaulli, Sebastiano Conca, Francesco Trevisani, Antonio Amorosi, Francesco Graziani and Pieter ...
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