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"Super 8" 8 mm films. 8 mm film is a motion picture film format in which the film strip is eight millimetres (0.31 in) wide. It exists in two main versions – the original standard 8 mm film, also known as regular 8 mm, and Super 8. Although both standard 8 mm and Super 8 are 8 mm wide, Super 8 has a larger image area because of its smaller ...
Standard 8 mm film, also known as Regular 8 mm, Double 8 mm, Double Regular 8 mm film, or simply as Standard 8 or Regular 8, is an 8 mm film format originally developed by the Eastman Kodak company and released onto the market in 1932. Super 8 (left) and Regular 8 mm (right) film formats. Magnetic sound stripes are shown in gray.
[4] The film also has a score of 21 out of 100 on Metacritic based on 20 reviews indicating "generally unfavorable." [5] Audiences surveyed by CinemaScore gave the film a grade of "C−" on scale of A+ to F. [6] Derek Elley of Variety criticized the film, stating that "8MM is a movie that keeps jumping the gate and finally unravels all over the ...
8mm 2, a 2005 direct-to-video thriller film Topics referred to by the same term This disambiguation page lists articles associated with the same title formed as a letter–number combination.
Single-8, also known as 8 mm Type S, Model II, is a motion picture film format introduced by Fujifilm of Japan in 1965 as an alternative to the Kodak Super 8 format. Single-8 and Super 8 use mutually incompatible cartridges, but the 8 mm film within each cartridge shares the same frame and perforation size and arrangement, so developed Single-8 and Super 8 films can be shown using the same ...
Ciné-Kodak Kodachrome 8mm movie film (expired May 1946) Kodachrome was first sold in 1935 as 16 mm movie film with an ASA speed of 10 [20] [21] and the following year it was made available as 8mm movie film, and in 135 and 828 formats for still cameras. [22] In 1961, Kodak released Kodachrome II with sharper images and faster speeds at 25 ASA ...
Decades before the video revolution of the late 1970s/early 1980s, there was a small but devoted market for home films in the 16 mm, 9,5 mm, 8 mm, and Super 8 mm film market. Because most individuals in the United States owning projectors did not have one equipped with sound, vintage silent films were particularly well-suited for the market.
The 16 mm Filmo cameras all take 16 mm film on a 100 ft (30 m) daylight spool, although some versions can also take 400 ft (120 m) external magazines. Spring wind is standard, although some Filmos have provisions for attachment of a 12 V DC or AC motor. A crystal-sync motor was developed for the Eyemo and later adapted to the Filmo.