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  2. Perfect fifth - Wikipedia

    en.wikipedia.org/wiki/Perfect_fifth

    The perfect fifth may be derived from the harmonic series as the interval between the second and third harmonics. In a diatonic scale, the dominant note is a perfect fifth above the tonic note. The perfect fifth is more consonant, or stable, than any other interval except the unison and the octave.

  3. List of fifth intervals - Wikipedia

    en.wikipedia.org/wiki/List_of_fifth_intervals

    All-fifths tuning. All-fifths tuning refers to the set of tunings for string instruments in which each interval between consecutive open strings is a perfect fifth. All-fifths tuning is the standard tuning for mandolin and violin and it is an alternative tuning for guitars. All-fifths tuning is also called fifths, perfect fifths, or mandoguitar ...

  4. Consecutive fifths - Wikipedia

    en.wikipedia.org/wiki/Consecutive_fifths

    So-called hidden consecutives, also called direct or covered octaves or fifths, [11] [nb 3] occur when two independent parts approach a single perfect fifth or octave by similar motion instead of oblique or contrary motion. A single fifth or octave approached this way is sometimes called an exposed fifth or exposed octave.

  5. All fifths tuning - Wikipedia

    en.wikipedia.org/wiki/All_fifths_tuning

    All-fifths tuning. Among guitar tunings, all-fifths tuning refers to the set of tunings in which each interval between consecutive open strings is a perfect fifth. All-fifths tuning is also called fifths, perfect fifths, or mandoguitar. [1] The conventional "standard tuning" consists of perfect fourths and a single major third between the g and ...

  6. Interval (music) - Wikipedia

    en.wikipedia.org/wiki/Interval_(music)

    A Pythagorean comma is the difference between twelve justly tuned perfect fifths and seven octaves. It is expressed by the frequency ratio 531441:524288 (23.5 cents). A syntonic comma is the difference between four justly tuned perfect fifths and two octaves plus a major third. It is expressed by the ratio 81:80 (21.5 cents).

  7. Regular diatonic tuning - Wikipedia

    en.wikipedia.org/wiki/Regular_diatonic_tuning

    One can use the tempered fourth as an alternative generator (e.g. as B E A D G C F, ascending fourths, reduced to the octave), but the tempered fifth is the more usual choice, and in any case, because fifths and fourths are octave complements, rising by perfect fourths produces the same result as rising by fifths.

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  9. Quarter-comma meantone - Wikipedia

    en.wikipedia.org/wiki/Quarter-comma_meantone

    By definition, in quarter-comma meantone 1 so-called "perfect" fifth (P5 in the table) has a size of approximately 696.6 cents ( 700 − ε cents, where ε ≈ 3.422 cents); since the average size of the 12 fifths must equal exactly 700 cents (as in equal temperament), the other one must have a size of 700 + 11 ε cents, which is about 737.6 ...