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"Re:Re:" (pronounced ar-ee-ar-ee) [1] is a song by Japanese rock band Asian Kung-Fu Generation from their second full-length studio album, Sol-fa. In 2016, they re-recorded Sol-fa and new version of "Re:Re:" was released as the lead single on March 16, 2016.
[39] [40] Morphallaxis involves the de-differentiation, transformation, and re-differentation of cells to regenerate tissues. How prominent morphallactic regeneration is in oligochaetes is currently not well understood. Although relatively under-reported, it is possible that morphallaxis is a common mode of inter-segment regeneration in annelids.
Regeneration (biology), the ability to recreate lost or damaged cells, tissues, organs and limbs Regeneration (ecology), the ability of ecosystems to regenerate biomass, using photosynthesis
Yowamushi Pedal: Re:Generation is a film adaptation of the third season. [30] An anime theatrical film adaptation of the Yowamushi Pedal: Spare Bike spin-off manga premiered in Japanese theaters for 2 weeks, starting September 9, 2016. [12] [31] It tells the past of the third year seniors There is an OVA titled Yowamushi Pedal: Special Ride.
The endometrium after the process of breakdown via the menstruation cycle, re-epithelializes swiftly and regenerates. [24] Though tissues with a non-interrupted morphology, like non-injured soft tissue, completely regenerate consistently; the endometrium is the only human tissue that completely regenerates consistently after a disruption and ...
The concept of a generation that includes people of all ages who share a common interest in the environment was first introduced by Dell Chairman and CEO Michael Dell on World Environment Day 2007. [ citation needed ] Many of the original theories of change came from writers, thinkers, and designers such as Wendell Berry , Buckminster Fuller ...
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ReGeneration had its world premiere at the Seattle International Film Festival in 2010, [2] where the film won the Youth Jury Award for Best FutureWave Feature. [6]However, Matt Goldberg of Collider [7] and Chuck Bowen of Slant Magazine [8] were more critical of the film mainly focusing on its treatment of Generation X adults and Generation Y youth as apathetic and addicted to technology.