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The full round, the norm of the monomyth, requires that the hero shall now begin the labor of bringing the runes of wisdom, the Golden Fleece, or his sleeping princess, back into the kingdom of humanity, where the boon may redound to the renewing of the community, the nation, the planet, or the ten thousand worlds. But the responsibility has ...
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The similarities of these myths brought Campbell to write his book in which he details the structure of the monomyth. He calls the motif of the archetypal narrative, "the hero's adventure". In a well-known passage from the introduction to The Hero with a Thousand Faces, Campbell summarizes the monomyth:
Campbell's monomyth described a universal narrative of the myth of the hero's journey which he claimed had disappeared in contemporary culture. Lawrence and Jewett described an American evolution of this mythological structure that reflected a deep antipathy to democratic institutions through the violent actions of a hero who remains separate ...
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According to Marquard, the chief example of a monomyth is that of world history as progress toward emancipation. This myth emerged in the mid-18th century philosophy of history and turned "histories" into the singular "history". [19] Marquard calls it the second end of polymythical thinking; the first was the end of religious polytheism.
In contrast, Jewett and Lawrence define the American monomyth as: A community in a harmonious paradise is threatened by evil; normal institutions fail to contend with this threat; a selfless superhero emerges to renounce temptations and carry out the redemptive task; aided by fate, his decisive victory restores the community to its paradisiacal ...