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The album marked the beginning of Renaissance's long-standing collaboration with poet Betty Thatcher-Newsinger as lyricist when she co-wrote two songs with Relf and McCarty. The two remaining original members left in late 1970; Jane Relf was replaced by American folk singer Anne-Marie "Binky" Cullom, then John Hawken left to join Spooky Tooth ...
For Turn of the Cards, Renaissance again made use of De Lane Lea Studios and co-producer/engineer Dick Plant. Richard Gottehrer, co-founder of Renaissance's new American record label Sire Records, is also credited as co-producer of the album, but according to drummer Terry Sullivan, Gottehrer never set foot inside De Lane Lea Studios and his sole involvement with the album was collaborating on ...
Live at Carnegie Hall is a 1976 live double album by the English progressive rock band Renaissance. It presented songs from all of the band's Annie Haslam -era studio albums thus far, including the forthcoming (at the time of the concerts [ 3 ] ) Scheherazade and Other Stories .
A Song for All Seasons is the eighth studio album by the English progressive rock band Renaissance, released in 1978. It marked the return of electric guitars to the band's music after several years of absence. [5] "Northern Lights" from the album reached the top ten on the UK Singles Chart and is the band's only UK chart single. [6]
Novella is the seventh studio album by the English progressive rock band Renaissance, released in 1977.Bassist Jon Camp began working as a lyricist for this album, making it the first Renaissance album since Illusion (1971) to include songs written entirely by the band members themselves.
Renaissance was initially released in the UK in 1969 by Island Records as catalogue ILPS-9114; it was also released in America on Elektra as EKS-74068, and by Island in Germany as 87 609 ET. In 1998, Renaissance was reissued by Mooncrest Records in the UK as Innocence. This reissue included six bonus tracks, but the packaging included no ...
The suite "Song of Scheherazade", which occupies most of the album's running time, was originally conceived by Renaissance guitarist Michael Dunford as the score for a theatrical musical. He and bassist Jon Camp would work on the musical during lulls in their Renaissance songwriting sessions at Dunford's house in Windlesham. [3]
The original double LP with gatefold sleeve included the complete Prologue, but one song from Ashes was edited. The 1988 CD version of In the Beginning (on one disc) had edited versions of "Rajah Khan" and of two songs from Ashes Are Burning. [4] Prologue was re-issued on CD in its original form by Repertoire Records in 1995.
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