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New historicism also has something in common with the historical criticism of Hippolyte Taine, who argued that a literary work is less the product of its author's imaginations than the social circumstances of its creation, the three main aspects of which Taine called race, milieu, and moment.
Much of his work has been "part of a collective project", such as his work as co-editor of the Berkeley-based literary-cultural journal Representations (which he co-founded in 1983), as editor of publications such as the Norton Anthology of English Literature, and as co-author of books such as Practicing New Historicism (2000), which he wrote ...
Subversion and containment is a concept in literary studies introduced by Stephen Greenblatt in his 1988 essay "Invisible Bullets". [1] It has subsequently become a much-used concept in new historicist and cultural materialist approaches to textual analysis.
In his books, Natural Right and History and On Tyranny, Strauss offers a complete critique of historicism as it emerges in the works of Hegel, Marx, and Heidegger. Many believe that Strauss also found historicism in Edmund Burke, Tocqueville, Augustine, and John Stuart Mill. Although it is largely disputed whether Strauss himself was a ...
Biographical Criticism, like New Historicism, rejects the concept that literary studies should be limited to the internal or formal characteristics of a literary work, and insists that it properly includes a knowledge of the contexts in which the work was created. Biographical criticism stands in ambiguous relationship to Romanticism. It has ...
New Criticism was a formalist movement in literary theory that dominated American literary criticism in the middle decades of the 20th century. It emphasized close reading , particularly of poetry, to discover how a work of literature functioned as a self-contained, self-referential aesthetic object.
Cultural materialism emerged as a theoretical movement in the early 1980s along with new historicism, an American approach to early modern literature, with which it shares common ground. The term was coined by Williams, who used it to describe a theoretical blending of leftist culturalism and Marxist analysis.
Henry Louis Gates: African-American literary theory; Gerald Vizenor: Native American literary theory; William Dean Howells: Literary realism; Stephen Greenblatt: New Historicism; Geoffrey Hartman: Yale school of deconstruction; John Crowe Ransom: New Criticism; Cleanth Brooks: New Criticism; Kenneth Burke: Rhetoric studies; Elaine Showalter ...