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Street art influence in politics refers to the intersection of public visual expressions and political discourse.Street art, including graffiti, murals, stencil art, and other forms of unsanctioned public art, has been an instrumental tool in political expression and activism, embodying resistance, social commentary, and a challenge to power structures worldwide.
Graffiti on New York subway car, 1973 New York City subway train covered in graffiti, 1973 Graffiti on a brick wall in Brooklyn, 1974. The Faith of Graffiti is a five-part essay. Each part moves from surface-level content like interviews with the graffiti artists to philosophical musings on art and politics.
It is a mix of storytelling, journalism, photojournalism and original research, on a broad range of topics, such as suburban sprawl, hip hop culture, youth activism, graffiti, and Chicago. [1] In the book Wimsatt presents hip hop as a force for social justice and political change. [2]
Graffiti ranges from simple written words to elaborate wall paintings. Graffiti, consisting of the defacement of public spaces and buildings, remains a nuisance issue for cities. In America, graffiti was used as a form of expression by political activists, and also by gangs such as the Savage Skulls, La Familia, and Savage Nomads to mark territory.
Susan A. Phillips (born 1969) [1] is an American anthropologist and criminologist who works as a professor of environmental analysis at Pitzer College. [2] She is known for research on graffiti, [3] [4] and her books on gangs and graffiti. [5] [6] [4]
As Cisco, Bloch is widely credited as an innovator of 1990s-era graffiti writing styles including "topless letters" and "top-to-bottom freeway silvers," [59] [65] and is known as "one of LA's most prolific (and, in some circles, legendary) graffiti writers" according to Times Higher Education.
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Women on Walls (Arabic: ست الحيطة Sitt el-Heita) is a public art project in Egypt aimed at empowering women through the use of street art, by encouraging the portrayal of strong Egyptian female figures in street art and empowering female street artists themselves to participate in the political space of graffiti.
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