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The Hocągara (Ho-Chungara) or Hocąks (Ho-Chunks) are a Siouan-speaking Native American Nation originally from Wisconsin and northern Illinois.Due to forced emigration in the 19th century, they now constitute two individual tribes; the Ho-Chunk Nation of Wisconsin and the Winnebago Tribe of Nebraska. [1]
The relationship of these symbols to Mi'kmaq petroglyphs, which predated European encounter, is unclear. The Kejimkujik National Park and National Historic Site (KNPNHS), petroglyphs of "life-ways of the Mi'kmaw", include written hieroglyphics, human figures, Mi'kmaq houses and lodges, decorations including crosses, sailing vessels, and animals ...
In North American mythologies, common themes include a close relation to nature and animals as well as belief in a Great Spirit that is conceived of in various ways. As anthropologists note, their great creation myths and sacred oral tradition in whole are comparable to the Christian Bible and scriptures of other major religions.
Symbol representing the goddess Atira in the Pawnee Hako (or Calumet) [1]: 154 ceremony, 1912. The corn is painted so the Rainstorm, the Thunder, the Lightning and the Wind are represented. Pawnee mythology is the body of oral history, cosmology, and myths of the Pawnee people concerning their gods and heroes.
The flag of the Hopi Tribe is used by the Native American Hopi Tribe of Arizona in the United States who live on the Hopi Reservation. The flag is a vertical tricolour of turquoise, white, and yellow, with the Hopi symbol in the middle. [2] The flag is accompanied by a red fringe. [1] The Hopi reservation is surrounded by the Navajo Nation.
The Gros Ventre were reported living in two north–south tribal groups – the so-called Fall Indians (Canadian or northern group, Hahá-tonwan) of 260 tipis (2,500 population) traded with the North West Company on the Upper Saskatchewan River [clarification needed] and roamed between the Missouri and Bow River, and the so-called Staetan tribe ...
Ute mythology weaves a tapestry of stories and beliefs that are expressive of the cultural heritage and values of the Ute people themselves. Recent sources bring forth new interpretations, additional narratives, and insights into traditional practices that expand the known boundaries of Ute mythological frameworks.
In Abenaki mythology the highest deity is Gici Niwaskw, also referred to by the titles of Tabaldak or Dabaldak, meaning Lord, and Niwaskowôgan, meaning Great Spirit. According to the creation myth, there existed no sound or color prior until Gici Niwaskw desired it and began the process of creating the world.