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The scepter of Charles V, also known in the early modern period as scepter of Charlemagne, is one of the most prominent preserved regalia of the Kingdom of France. It was donated by Charles V to the abbey of Saint-Denis on 7 May 1380, shortly before his death. [ 1 ]
Statuette of Charlemagne on the sceptre of Charles V, 14th c., Louvre. One of the few surviving pieces of the medieval French crown jewels is the sceptre that Charles V had made for the future coronation of his son, Charles VI, currently on display in the Louvre. [22]
Charlemagne is represented in old age, wearing the Imperial Crown of the Holy Roman Empire and brandishing the Scepter of Charles V, traditionally known as "Scepter of Charlemagne". He is guarded by Oliver, who guides his horse, and by Roland, both looking out for potential enemies on the sides.
Charles V is portrayed by Sebastian Armesto in one episode of the Showtime series The Tudors. Charles V is the main subject of the TVE series Carlos, Rey Emperador and is portrayed by Álvaro Cervantes. Charles V is played by Adrien Brody in the upcoming movie Emperor. [225] Charles V is portrayed by Rupert Everett in The Serpent Queen.
The crown jewels known as the sceptre and orb have an ancient history—and a powerful meaning for the monarchy. Skip to main content. Sign in. Mail. 24/7 Help. For premium support please call: ...
Charles V, Holy Roman Emperor [1] was the heir of several of Europe's leading royal houses. In 1506, he inherited the Burgundian Netherlands , which came from his paternal grandmother, Mary of Burgundy .
From the Ancien Régime regalia, except for Louis XV's crown, the Throne of Dagobert, the medieval coronation sword of the French kings Joyeuse, the spurs, the brooch said to have belonged to Saint Louis, the ivory sceptre, called the Hand of Justice, the sceptre of Charles V, as well as the antique cup of the Ptolemies (or the coronation ...
The scepter of Charles V, the sword of Charlemagne the rich fabrics, furs and capes, crown of gold leaves, golden chains and emblems were all presented in extremely precise detail; the Emperor's face and hands were almost lost in the majestic costume. [20]