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"To Sir with Love" is the theme from James Clavell's 1967 film To Sir, with Love. The song was performed by British singer and actress Lulu (who also starred in the film), and written by Don Black and Mark London (husband of Lulu's longtime manager Marion Massey). Mickie Most produced the record, with Mike Leander arranging and conducting.
Her career has spanned six decades. Her debut single, a cover version of The Isley Brothers song "Shout", reached the top ten of the UK singles chart in 1964. In 1967, she rose to international prominence after appearing in the film To Sir, with Love, singing the theme song, which topped the US Billboard Hot 100 for five consecutive weeks.
The film's title song "To Sir with Love", sung by Lulu, peaked at the top of the Billboard Hot 100 chart for five weeks in the autumn of 1967 and ultimately was the best-selling single in the US that year; meanwhile, Poitier, playing a charismatic schoolteacher to troubled youth, was the first black actor to win a Golden Globe Award.
But she is most associated with a song and a film that she made when she was a teenager: the 1967 Sidney Poitier-starring classic “To Sir, With Love.” The film depicted Poitier as a British ...
The Mindbenders appeared in the 1967 Sidney Poitier movie, To Sir, with Love and were also on the soundtrack with the songs "Off and Running" (the last Bayer/Wine song recorded by the band) and "It's Getting Harder All the Time". [1] Shortly thereafter, Rothwell quit the band and was replaced by Paul Hancox. [1]
Mark London was born in Montreal, Quebec, and initially worked as a comedian following a move to London.He first achieved prominence in 1967 as the composer of the melody to "To Sir With Love", the title song from James Clavell's movie of the same name, starring Sidney Poitier, Judy Geeson and Lulu. [1]
To Sir, With Love is a 1959 autobiographical novel by E. R. Braithwaite set in the East End of London. The novel is based on the true story of Braithwaite accepting a teaching post in a secondary school. The novel, in 22 chapters, gives insight into the politics of race and class in postwar London.
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