Search results
Results from the WOW.Com Content Network
The koto (箏 or 琴) is a Japanese plucked half-tube zither instrument, and the national instrument of Japan. It is derived from the Chinese zheng and se, and similar to the Mongolian yatga, the Korean gayageum and ajaeng, the Vietnamese đàn tranh, the Sundanese kacapi and the Kazakh jetigen. [1]
In 1985, Koto released "Visitors". In an interview with Maiola, he confirmed it was his favourite Koto song. [3] The track contains a sample from Michael Jackson's 1984 hit "Thriller". The following year, he released another single, titled "Jabdah". Fueled by a music video, the song became a big hit, charting in Germany, the Netherlands and ...
A woman playing a koto, depicted in 1878 by Settei Hasegawa.. Danmono (Japanese: 段物) is a traditional Japanese style of instrumental music for the koto.The few pieces of its repertoire were mostly composed and developed in the seventeenth century, and all follow a strict form of composition.
'koto music'), a kind of chamber music with the koto playing the leading part, but nowadays the part of the koto is more widely known than the original. The music is made from six columns, hence the name, and there are exactly fifty-two beats in each column, except for the first row, which has four beats more.
By the mid-1960s, he became well-known in United States music recitals and concerts. He worked most notably with the American composer Henry Cowell on his Concerto for Koto and Orchestra. Eto was a soloist playing alongside the Philadelphia Orchestra conducted by Leopold Stokowski at the Philadelphia Academy of Music in December 1964.
Michio Miyagi (宮城 道雄, Miyagi Michio, April 7, 1894 – June 25, 1956) was a Japanese musician, famous for his koto playing.. He was born in Kobe.He lost his sight in 1902, when he was 8 years old, and started his study in koto under the guidance of Nakajima Kengyo II, dedicating the rest of his life to the instrument.
Haru no Umi (春の海, "The Sea in Spring") is a Shin Nihon Ongaku ('New Japanese Music') piece for koto and shakuhachi composed in 1929 by Michio Miyagi.It is Miyagi's best known piece and one of the most famous for the koto and shakuhachi instruments.
He changed the limited selection of six pieces to a brand new style of koto music which he called kumi uta. Yatsuhashi changed the Tsukushi goto tunings, which were based on tunings used in gagaku, and with this change a new style of koto was born. He adapted the Hirajoshi scale and the Insen scale for the koto, from the shamisen repertoire.