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David is a masterpiece of Italian Renaissance sculpture in marble [1] [2] created from 1501 to 1504 by Michelangelo. With a height of 5.17 metres (17 ft 0 in), the David was the first colossal marble statue made in the High Renaissance , and since classical antiquity , a precedent for the 16th century and beyond.
The following is a family tree of gods, goddesses, and other divine and semi-divine figures from Ancient Greek mythology and Ancient Greek religion. Chaos
David (Greek: Δαυίδ; fl. 630–641) was one of three co-emperors of Byzantium for a few months in late 641, and had the regnal name Tiberius. David was the son of Emperor Heraclius and his wife and niece Empress Martina .
Still from Universal's film Damon and Pythias (1914). In 1564, the material was made into a tragicomic play by the English poet Richard Edwardes (Damon and Pythias).; The best-known modern treatment of the legend is the German ballad Die Bürgschaft, [2] written in 1799 by Friedrich Schiller, based on the Gesta Romanorum version.
Some late Roman and Greek poetry and mythography identifies him as a sun-god, equivalent to Roman Sol and Greek Helios. [2] Ares (Ἄρης, Árēs) God of courage, war, bloodshed, and violence. The son of Zeus and Hera, he was depicted as a beardless youth, either nude with a helmet and spear or sword, or as an armed warrior.
David (/ ˈ d eɪ v ɪ d /; Biblical Hebrew: דָּוִד , romanized: Dāwīḏ, "beloved one") [a] [5] was a king of ancient Israel and Judah and the third king of the United Monarchy, [6] [7] according to the Hebrew Bible and Old Testament.
David and Goliath (1888) by Osmar Schindler. Goliath [A] (/ ɡ ə ˈ l aɪ ə θ / gə-LY-əth) is a Philistine giant in the Book of Samuel.Descriptions of Goliath's immense stature vary among biblical sources, with various texts describing him as either 6 ft 9 in (2.06 m) or 9 ft 9 in (2.97 m) tall. [1]
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.