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Fender Silverface Bassman amp AB165 amplifier, with a 2×15" speaker cabinet. The Fender Bassman is a series of bass amplifiers introduced by Fender during 1952. [citation needed] Initially intended to amplify bass guitars, musicians used the 5B6 Bassman to amplify other instruments, including electric guitars, harmonicas, and pedal steel guitars.
Fender amplifiers would become favorites of guitarists like Jimi Hendrix, Eric Clapton, and Stevie Ray Vaughan, also known in these cases for playing Fender guitars. Fender amps have come in many configurations and styles. The early K&F and Fender amplifiers relied upon vacuum tube circuitry, with solid-state models appearing in the late 1960s ...
The 75 Watt Fender Rumble 75 Bass Combo Amp and its 150 Watt and 300 Watt counterparts can produce an overdrive effect by using the gain and blend controls, giving overdrive sounds ranging from "mellow warmth [to] heavy distorted tones". [16] The Fender SuperBassman is a 300-watt tube head which has a built-in overdrive channel.
The company first began making amplifiers to provide an alternative to expensive, American-made Fender amps, releasing their first model, the Bassman-inspired JTM45, in 1963. Following complaints over limitations in amp volume and tone from visitors to Jim Marshall's drum shop, notably Pete Townshend , guitarist for The Who , [ 4 ] Marshall ...
It was modeled after a 1959 5F6-A "tweed" (a misnomer: the cloth is actually twill) Fender Bassman [3] and, unlike the Peavey Classic Amplifiers of the 1970s (which were covered in twill-patterned vinyl) the 4-10 was covered in authentic cotton twill, the first since Fender and Gibson stopped production of twill-covered amplifiers in 1960. [1]
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For all of its differences when compared with the Bassman, the sound of the JTM45 is still described as "like a tweed Fender", and is favored for blues and rock rather than for hard rock and metal. [12] The JTM 45 delivers a smooth Marshall sound with a warm bass response due to the EL34/KT66 valves. [citation needed]
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