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The album only ranked in the top 200 of the British Alternative Music chart. However, the album sold out quickly. [15] The album's cover featured artwork from the American punk artist Pushead, who complained that he was neither paid nor credited for the work. [11] In 1990, the Exploited released their album The Massacre.
Label: The Exploited Record Company; Formats: 7" — 6 Exploited Barmy Army: Released: October 1980; Label: The Exploited Record Company; Formats: 7" — 4 Dead Cities: Released: October 1981; Label: Secret; Formats: 7" 31 4 Don't Let 'Em Grind You Down: Released: November 1981; Label: Secret; Formats: 7" Split EP with Anti-Pasti; 70 1 Rival ...
It should only contain pages that are The Exploited albums or lists of The Exploited albums, as well as subcategories containing those things (themselves set categories). Topics about The Exploited albums in general should be placed in relevant topic categories .
Death Before Dishonour is the fifth studio album by the Scottish punk rock band The Exploited. It was released on 15 April 1987 through Rough Justice Records. With this release, The Exploited moved to a more crossover thrash direction. This album was re-released on 19 June 2001 on Spitfire Records and contained an additional seven tracks. [7]
'Renaissance,' Beyoncé's seventh studio album, is coming July 29. On Thursday she revealed the album cover — and it's a doozy. 'Renaissance,' Beyoncé's seventh studio album, is coming July 29. ...
For those who can’t get enough about music and musicians — whether tragically exploited, woefully misunderstood or just prodigiously talented — we’ve compiled a list of great documentaries ...
In 2020, Mr. Bungle recorded a cover of "U.S.A." (which they titled simply "USA"). The track was the first time the band had recorded music since the 1999 album California . [ 5 ]
Fuck the System (known as F@#k the System in the clean version) is the eighth studio album by Scottish hardcore punk band The Exploited. It was released on 17 February 2003 through Dream Catcher Records in the UK and Spitfire Records in the US. Recording sessions took place at Chapel Studios in Lincolnshire, England. [4]