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The table shows how the two systems rate high-brightness papers, but there is no simple way to convert between the two systems because the test methods are so different. [4] The ISO rating is higher and can be over 100. This is because contemporary white paper incorporates fluorescent whitening agents (FWA). Because the ISO standard only ...
Reverse graffiti [note 1] is a method of creating temporary or semi-permanent images on walls or other surfaces by removing dirt from a surface. It can also be done by simply removing dirt with the fingertip from windows or other dirty surfaces, such as writing "wash me" on a dirty vehicle.
Ektachrome papers are also available. Standard black and white stock can also be reversal processed to give black and white slides. [8] After 'first development,' the initial silver image is then removed (e.g. using a potassium bichromate/sulfuric acid bleach, which requires a subsequent "clearing bath" to remove the chromate stain from the ...
The bromoil process is a variation on the oil print process that allows for enlargements. [2] In 1907, E. J. Wall described how it should theoretically be possible to place a negative in an enlarger to produce a larger silver bromide positive, which would then be bleached, hardened, and inked following the oil print process. [1]
Photographic printing is the process of producing a final image on paper for viewing, using chemically sensitized paper.The paper is exposed to a photographic negative, a positive transparency (or slide), or a digital image file projected using an enlarger or digital exposure unit such as a LightJet or Minilab printer.
A self-portrait in mordançage style. Mordançage is an alternative photographic process that alters silver gelatin prints to give them a degraded effect. The mordançage solution works in two ways: it chemically bleaches the print so that it can be redeveloped, and it lifts the black areas of the emulsion away from the paper, giving the appearance of veils.
There are three main methods, typically referred to by their Italian terms, namely stacco a massello, involving detachment and removal of painting, render, and some or all of the mural support; stacco or detachment of the painting with render alone; and strappo, lit. "tearing", lifting of only the paint layer, attached to a facing with adhesive ...
Polysulfide or 'direct' toners – these do not require a bleaching stage. Except for polysulfide toners, sepia toning is done in three stages. The print is first soaked in a potassium ferricyanide bleach to reconvert the metallic silver to silver halide. The print is washed to remove excess potassium ferricyanide and then immersed into a bath ...