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The Te Deum in C major, WAB 45, is a setting of the Te Deum hymn, composed by Anton Bruckner for SATB choir and soloists, orchestra, and organ ad libitum. History
The Te Deum in C is a sacred choral composition by Benjamin Britten, a setting of the Te Deum on the English text from the Book of Common Prayer. Britten wrote it between 11 July and 17 September 1934. It is scored for a treble solo, four-part choir and organ.
Te Deum stained glass window by Christopher Whall at St Mary's church, Ware, Hertfordshire. The Te Deum (/ t eɪ ˈ d eɪ əm / or / t iː ˈ d iː əm /, [1] [2] Latin: [te ˈde.um]; from its incipit, Te Deum laudamus (Latin for 'Thee, God, we praise')) is a Latin Christian hymn traditionally ascribed to a date before AD 500, but perhaps with antecedents that place it much earlier. [3]
"Tantum ergo" in F major for soprano and strings (1768) "Te Deum laudamus" in C major for soloists, choir and orchestra (1819) "Te Deum laudamus" de Incoronazione, in D major for choir and orchestra (1790) "Te Deum laudamus" in D major for double choir and orchestra (1799) - new version of the "Te Deum" from 1790 -
C major C major C major B ♭ major: Lied: Voice: Possibly by Ernst Friedrich Eduard Richter. Lyrics from the poem Amaranth by Oskar von Redwitz: WAB add 332: Symphonisches Präludium: C minor: Prelude: Orchestra: 1875–1876: Doubtful authorship, possibly an exercise in orchestration for Rudolf Krzyzanowski [9] WAB add 333: Pange lingua: C ...
Bruckner was a devoutly religious man, and composed numerous sacred works. He wrote a Te Deum, five psalm settings (including Psalm 150 in the 1890s), a Festive cantata, a Magnificat, about forty motets (among them eight settings of Tantum ergo, and three settings of both Christus factus est and Ave Maria), and at least seven Masses.
Deutsches Te Deum in C major, MH 672; Deutsches Te Deum in C major (K VI:19), MH 836; Deutsches Tenebrae in E-flat major, MH 610; Emicat meridies in F major (K IIb:4), MH 437; Laeta quies in B-flat major (K IIb:17b), MH 400; Laeta quies in F major (K IIb:17a), MH 253; Lauda Sion in G major (K IIa:42), MH 215; Libera me in B-flat major, MH 458
See also List of symphonies in C major.) Many masses and settings of the Te Deum in the Classical era were in C major. Mozart and Haydn wrote most of their masses in C major. [3] Gounod (in a review of Sibelius' Third Symphony) said that "only God composes in C major". Six of his own masses are written in C. [4]