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This are a list of those fables attributed to the ancient Greek storyteller, Aesop, or stories about him, which have been in many Wikipedia articles. Many hundreds of others have been collected his creation of fables over the centuries, as described on the Aesopica website. [1]
A musical, Aesop's Fables by British playwright Peter Terson, first produced in 1983, [151] was performed by the Isango Portobello company, directed by Mark Dornford-May at the Fugard Theatre in Cape Town, South Africa, in 2010. [152] The play tells the story of the black slave Aesop, who learns that freedom is earned and kept through being ...
Credited as among Aesop's Fables, and recorded in Latin by Phaedrus, [1] the fable is numbered 137 in the Perry Index. [2] There are also versions by the so-called Syntipas (47) via the Syriac, Ademar of Chabannes (60) in Mediaeval Latin, and in Medieval English by William Caxton (4.16). The story concerns a flea that travels on a camel and ...
The Bird in Borrowed Feathers is a fable of Classical Greek origin usually ascribed to Aesop. It has existed in numerous different versions between that time and the Middle Ages, going by various titles and generally involving members of the corvid family. The lesson to be learned from it has also varied, depending on the context in which it ...
The Honest Woodcutter, also known as Mercury and the Woodman and The Golden Axe, is one of Aesop's Fables, numbered 173 in the Perry Index. It serves as a cautionary tale on the need for cultivating honesty, even at the price of self-interest. It is also classified as Aarne-Thompson 729: The Axe falls into the Stream. [2]
Aesop (/ ˈ iː s ɒ p / EE-sop or / ˈ eɪ s ɒ p / AY-sop; Ancient Greek: Αἴσωπος, Aísōpos; c. 620–564 BCE; formerly rendered as Æsop) was a Greek fabulist and storyteller credited with a number of fables now collectively known as Aesop's Fables.
That the lesson of the fable could be applied to statecraft as well as personal affairs had earlier been realised by Pseudo-Plutarch [1] and those others who told the story of ancient rulers. In more modern times, Pieter de la Court commented on its applicability to the Dutch Republic in his retelling of the story in Sinryke Fabulen (Amsterdam ...
It is under the title "The Dog and the Bone" that the fable was set by Scott Watson (b. 1964) as the third in his "Aesop's Fables for narrator and band" (1999). [35] More recently, the situation has been used to teach a psychological lesson by the Korean choreographer Hong Sung-yup.
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