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New York, Museum of Modern Art The Boat (French: Le Bateau ) is a paper-cut from 1953 by Henri Matisse . The picture is composed from pieces of paper cut out of sheets painted with gouache , and was created during the last years of Matisse's life.
Henri Matisse: The Cut-Outs was exhibited at London's Tate Modern, from April to September 2014. [86] The show was the largest and most extensive of the cut-outs ever mounted, including approximately 100 paper maquettes—borrowed from international public and private collections—as well as a selection of related drawings, prints, illustrated ...
Museum of Modern Art: Study of a foot: c. 1909 Bronze: 30 cm St. Petersburg Hermitage [7] [a] The Back II: 1913 Bronze: New York City Museum of Modern Art [a] The Back III: 1916 Bronze: New York City Museum of Modern Art: Henriette II: Henriette II: 1927 Bronze 32.1 cm Ottawa: National Gallery of Canada [8] Henriette III: Henriette III: 1929 ...
File:Henri Matisse, 1916-17, Le Peintre dans son atelier (The Painter and His Model), oil on canvas, 146.5 x 97 cm, Musée National d'Art Moderne, Centre Georges Pompidou, Paris.jpg; File:Henri Matisse, 1916-17, Nu (Lorette allongée sur fond rouge, Sleeping Nude on a Red Background), oil on canvas, 95 x 196 cm, Private collection.jpg
Paysage marocain (Acanthes), also known as Moroccan Landscape (Acanthus), is an oil painting from 1912 by the French artist Henri Matisse. The painting is signed "Henri Matisse" in the lower left corner and has been in the collection of the Moderna museet in Stockholm since 1917. [1] Matisse spent the winter of 1911 and 1912 in Morocco ...
The background of the painting was originally green, but Matisse changed it to blue before exhibiting it at the Salon d'Automne in 1908. Sergey Shchukin purchased the work from the exhibition. In 1909, Matisse repainted the background in red, giving it the new title The Dessert: Harmony in Red. Matisse had the goal of capturing still life and ...
The Painter and His Model, 1916–17, oil on canvas, 146.5 x 97 cm, Museum of Modern Art, Paris. The Painter and His Model (French titles: Le Peintre dans son atelier, Le peintre et son modèle, l'Atelier, quai Saint-Michel) is a work by Henri Matisse painted late 1916, early 1917.
Woman on a High Stool (French: Femme au tabouret or La femme assise) is an oil painting on canvas by the French artist Henri Matisse from early 1914. It is held in the Museum of Modern Art, in New York. It is a portrait of Germaine Raynal, the wife of the poet and art critic Maurice Raynal.