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The original MIDI specification included 128 virtual controller numbers for real-time modifications to live instruments or their audio. MIDI Show Control (MSC) and MIDI Machine Control (MMC) are two separate extensions of the original MIDI spec, expanding MIDI protocol to accept far more than its original intentions.
Roland GS, or just GS, sometimes expanded as General Standard [1] [2] or General Sound, [1] is a MIDI specification. It requires that all GS-compatible equipment must meet a certain set of features and it documents interpretations of some MIDI commands and bytes sequences, thus defining instrument tones, controllers for sound effects, etc.
MIDI's introduction coincided with the dawn of the personal computer era and the introduction of samplers and digital synthesizers. [26] The creative possibilities brought about by MIDI technology are credited for helping revive the music industry in the 1980s. [27] MIDI introduced capabilities that transformed the way many musicians work.
The Fairlight CMI (short for Computer Musical Instrument) is a digital synthesizer, music sampler, and digital audio workstation introduced in 1979 by Fairlight. [5] [6] [7] It was based on a commercial licence of the Qasar M8 developed by Tony Furse of Creative Strategies in Sydney, Australia.
General MIDI Level 2 or GM2 is a specification for synthesizers which defines several requirements beyond the more abstract MIDI standard and is based on General MIDI, GS extensions, and XG extensions. It was adopted in 1999 by the MIDI Manufacturers Association (MMA).
General MIDI logo from the MIDI Manufacturers Association. General MIDI (also known as GM or GM 1) is a standardized specification for electronic musical instruments that respond to MIDI messages. GM was developed by the American MIDI Manufacturers Association (MMA) and the Japan MIDI Standards Committee (JMSC) and first published in 1991. The ...
MIDI beat clock, or simply MIDI clock, is a clock signal that is broadcast via MIDI to ensure that several MIDI-enabled devices such as a synthesizer or music sequencer stay in synchronization. Clock events are sent at a rate of 24 pulses per quarter note .
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